San Francisco Symphony

Credit: Stefan Cohen

Since its beginning in 1911, the San Francisco Symphony has been known for innovative programs that offer a spectrum of traditional repertory and new music. Today, the Orchestra’s artistic vitality, recordings, and groundbreaking multimedia educational projects carry its impact throughout American musical life.

At a time when America’s major orchestras are struggling to define their missions and maintain audiences, the San Francisco Symphony under Michael Tilson Thomas is an exception.” — The New York Times

The San Francisco Symphony has grown in stature and acclaim under such distinguished music directors as Henry Hadley, Alfred Hertz, the legendary Pierre Monteux, Josef Krips, Seiji Ozawa, Edo de Waart and Herbert Blomstedt. Current Music Director Michael Tilson Thomas assumed the post in 1995. Together, he and the San Francisco Symphony have formed a musical partnership hailed as “one of the most inspiring and adventurous in the country.” Michael Tilson Thomas (MTT) celebrated his 20th season as Music Director of the San Francisco Symphony during the Orchestra’s 2014-15 season. MTT is currently the longest-tenured music director at any major American orchestra, and has surpassed Pierre Monteux as the longest-tenured San Francisco Symphony Music Director. Tilson Thomas and the Orchestra have also been praised by the critics for their musicianship, for their innovative programming, for bringing the works of American composers to the fore, and for bringing new audiences into Davies Symphony Hall.

In most places, and certainly in London, the presence of many of the (American Mavericks Festival) composers – from Charles Ives to John Adams to Steve Reich – would have emptied halls. But the audiences in San Francisco have been large, varied, attentive, and enthusiastic. Something quite special, perhaps even revolutionary, is going on.” — The Times (London)

The San Francisco Symphony has toured extensively to Europe, Asia and throughout the United States. It has won some of the world’s most prestigious recording awards, including fifteen Grammy Awards, Japan’s Record Academy Award, France’s Grand Prix du Disque, Germany’s ECHO Klassik, Britain’s Gramophone Award, and International Music Critic’s Awards (ICMA.)

The San Francisco Symphony, led since 1995 by the brilliant and musically restless Michael Tilson Thomas, gave the kind of performance that proves yet again that the best is the enemy of the better.” — The Washington Post

With the launch of the San Francisco Symphony’s own SFS Media label in 2001, Michael Tilson Thomas and the Orchestra recorded all of Mahler’s symphonies and songs for voice and orchestra. SFS Media records and releases audio and visual material reflecting the Orchestra and Michael Tilson Thomas’ commitment to showcasing music by maverick composers as well as core classical masterworks. With a slate of recordings and releases of music by Harrison, Cowell, Varèse, Bernstein, Beethoven, Ives and Copland, the Orchestra’s recordings continue to reflect the broad range of programming that has been a hallmark of the MTT/SFS partnership.

SFS Media also releases documentary and live performance videos such as MTT and the SFS’s national public television series and multimedia project Keeping Score, designed to make classical music more accessible to people of all ages and musical backgrounds, now available as digital downloads and on DVD and Blu-ray. Keeping Score includes an innovative website,, live performance audio CDs, a radio broadcast series, and an education program for K-12 schools.

Can every conductor be Michael Tilson Thomas? Obviously not! But every conductor can learn from him the value of bringing a sense of adventure back to the concert hall.” — The Toronto Star


Highlights of the 2019 San Francisco Symphony Radio Series Include:

  • Haydn’s Symphony No. 69 in C Major, “Laudon;” Sibelius’ Symphony No. 3 in C Major; and Beethoven’s Symphony No. 5 in C Minor. (SFS19-01)
  • Ives’ Psalm 90; Dvorak’s The American Flag; Glaser’s O For A Thousand Tongues To Sing; Converse’s What A Friend We Have In Jesus; Mason’s There Is A Fountain; Air’s Happy Land of Canaan; Nagelli’s Father, Whate’er Of Earthly Bliss; Bradbury’s Just As I Am; Ives’ Symphony No.3, The Camp Meeting; and Gershwin’s An American in Paris. Featured performers include organist Jonathan Dimmock, tenor Amital Pati, bass-baritone Philip Skinner, organist Susan Matthews, and the San Francisco Symphony Chorus. (SFS-07)
  • Mozart’s German Dances, K. 509, and Exultate, jubilate, K. 165; and Mahler’s Symphony No. 4 in G Major (SFS-08)





Category: Orchestras
Duration: 2-hour / 1:58:30
Frequency: 13-part
Availability: 03/26/2018 - 03/25/2019

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  • Host: Rik Malone
  • Recording Engineers: Jack Vad, Roni Jules, Jason O’Connell
  • Producer: San Francisco Symphony
  • Underwriter: Roselyne C. Swig, Fred Levin and Nancy Livingston of the Shenson Foundation in memory of Ben and A. Jess Shenson